At an impressionable age, thumbing through Fangoria magazine, and witnessing Rick Baker’s work in An American Werewolf In London, I found myself enamoured with sculpture and film craft.
If it weren’t for an early interest in monster movies, which initially motivated me to study sculpture, I would likely not have developed the necessary skills for my profession in VFX.
Most of my work in clay has not been documented, but that which survives is displayed below.